SAW Video JumpstART 2016, SAW Video’s annual programme of new short works by local emerging video artists was presented at Club SAW on Thursday, July 21st. The screening featured work by Alexandra Noble, Gillian Kirkland & Andrew Letourneau, Radamis Hany and Tripti Prinja. Ottawa Indie Fest live-streamed the opening and the Q&A with the filmmakers. Here is the archived version of that live-stream.
For each of the episodes of the second season of the TV series X Company, the CBC has engaged artists from around Canada and the world to re-imagine a scene in their medium to create the series X Company Animated. Captured in the Woods is a recreation of the frightening and disorienting atmosphere of being pursued through the woods, a scene from episode 3, reimaged by Stephanie Dudley.
Captured in the Woods
Animation by: Stephanie Dudley
Puppet Costumes by Allison Easson
Props Assistance by: Andrew HeffronMore »
Toys – Grant Munro (NFB) – experimental film
by Matt Joyce
On the surface, the short film, Toys(1966) by Grant Munro, can be seen as an anti-war film. A message about the effects war toys have on children, it reveals how their glamorization has noticeable repercussions, potentially furthering desensitization to violence. Though this is not the sole message, the film’s derived authenticity comes from its use of dualities. Through the cinematic use of pixilation, realist film form and chosen composition, the film dissolves the structures that separate common binary oppositions. These formal elements, combined with the humanist relation between child and toy, attempt to merge the dichotomies that society understands and perceives as being either fantasy or reality, probable or improbable connections.
The film begins by situating the child in the domain of fantasy – a toy store – a place filled with imagination, where the displays of possibility captivate the mind. The camera portrays faces of excitement and wonder as these children mentally debate their favourite figure. More »
“This film for me has a lot of meaning. My first thought about it is how does one come to terms with their past. If Sayachapis was able to heal himself from his suffering, if he found the strength to get help and heal himself, anybody can do it”, filmmaker Mar Y Sol tells Ottawa Indie Fest when we spoke to her about her award winning documentary film Sayachapis which screens at the One World Film Festival on Saturday September 26, 2015.
Named “52” for ten years, Sayachapis now lives alone on Indian Island, a small island off grid off the coast of Vancouver Island. A residential school survivor, he remembers vividly the hard labor, starvation, rape, broken bones and unimaginable horrors from the years gone by. “I am still alive, I am still ok.”
Update: Ma Y Sol’s Sayachapis was awarded Best Documentary Short at the 26th annual One World Film Festival in Ottawa on September 26, 2015. Photos
“Yes making this film was a challenge, but I think to a much lesser extent then the challenge that the five indigenous artists faced in designing a heritage marker. I really did want to do justice to their story though, and to show how much hard work and struggle the artists put into creating the commemorative marker”, replies filmmaker Howard Adler when we asked him about his documentary An Object that has Spirit which has its World Premiere at the One World Film Festival on Saturday September 26, 2015.
An Object that has Spirit tells the story of five indigenous artists who came together from across Canada to create a heritage marker to honour Indian Residential School Survivors and entrust their experiences to public memory. Faced with an enormous task, the artists rise to the challenge, transforming what was originally conceived of as a heritage plaque into an object imbued with spirit.
How did you get involved in the making of this film?
I was basically approached by the Assembly of First Nations (AFN), on the recommendations of an advisory committee, which was actually composed of some seriously talented and well known Indigenous Artists. I believe their role was to also make recommendations for artists that could be chosen to create the Commemorative Marker, and I was very honoured that they recommended me for this project.
My job was to document the Commemorative Marker Workshop, a week long gathering in which 5 artists had to conceive and design an object that would commemorate the legacy of Indian Residential Schools in Canada, and to create a short film about the creative process.
“I think there is something really powerful about caring about something so much that you would do anything to keep it alive. Meeting the members of Chajil Ch’upup, it really makes you wonder about your own life. Is there something you would get up every morning at the crack of dawn to fight for?”, filmmaker Jennifer Robbins tells Ottawa Indie Fest during a recent interview about her documentary Chajil Ch’upup which screens at the One World Film Festivalon Saturday September 26. 2015.
The film Chajil Ch’upup (Guardians of the Tule) explores the world of Juan, an Tz’utujil Mayan whose family has fished Lake Atitlan (Guatemala) for generations. His generation especially, however, has been subject to major trials created by nature, and also by man. The members of the local fishing cooperative – Chajil Ch’upup – have banded together to work towards a solution and a better life.
How did you get involved in the making of your film?
I was finishing my final year of Humber College where I was studying Film and Television Production and one of my teachers introduced an opportunity to complete the internship by traveling abroad to work on a documentary project. I remember being so excited and running home to research Actuality Media and Guatemala. I immediately knew that I wanted to be a part of the project, I applied to be director and a few weeks later after an interview process, I got in.